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Garden。'  What's about the figure?

JEAN。  It's paid for。  Ye can sweir to that。

HUNT。  Yes; my dear; and so is King George's crown; but I don't 
know what it cost; and I don't know where the blunt came from to 
pay for it。

JEAN。  I'm thinking ye'll be a vera clever gentleman。

HUNT。  So I am; my dear; and I like you none the worse for being 
artful yourself。  But between friends now; and speaking as a
family man …

JEAN。  I'll be wishin' ye a fine nicht。  (CURTSIES AND GOES OUT。)


SCENE IV

HUNT (SOLUS)

HUNT。  Ah! that's it; is it?  'My fancy man's my 'ole delight;'
as we say in Bow Street。  But which IS the fancy man?  George the
Dock; or William the Deacon?  One or both?  (HE WINKS SOLEMNLY。)
Well; Jerry; my boy; here's your work cut out for you; but if you
took one…nine…five for that 'ere little two hundred you'd be a 
disgrace to the profession。


TABLEAU III。  MOTHER CLARKE'S

SCENE I

The Stage represents a room of coarse and sordid appearance:  
settles; spittoons; etc。; sanded floor。  A large table at back; 
where AINSLIE; HAMILTON; and others are playing cards and 
quarrelling。  In front; L。 and R。 smaller tables; at one of which
are BRODIE and MOORE; drinking。  MRS。 CLARKE and women serving。

MOORE。  You've got the devil's own luck; Deacon; that's what
you've got。

BRODIE。  Luck!  Don't talk of luck to a man like me!  Why not say
I've the devil's own judgment?  Men of my stamp don't risk … they
plan; Badger; they plan; and leave chance to such cattle as you 
'and Jingling Geordie。  They make opportunities before they take 
them'。

MOORE。  You're artful; ain't you?

BRODIE。  Should I be here else?  When I leave my house I leave an
ALIBI behind me。  I'm ill … ill with a jumping headache; and the 
fiend's own temper。  I'm sick in bed this minute; and they're all
going about with the fear of death on them lest they should
disturb the poor sick Deacon。  'My bedroom door is barred and
bolted like the bank … you remember! … and all the while the
window's open; and the Deacon's over the hills and far away。 
What do you think of me?'

MOORE。  I've seen your sort before; I have。

BRODIE。  Not you。  As for Leslie's …

MOORE。  That was a nick above you。

BRODIE。  Ay was it。  He wellnigh took me red…handed; and that was
better luck than I deserved。  If I'd not been drunk; and in my 
tantrums; you'd never have got my hand within a thousand years of
such a job。

MOORE。  Why not?  You're the King of the Cracksmen; ain't you?

BRODIE。  Why not!  He asks me why not!  Gods; what a brain it is! 
Hark ye; Badger; it's all very well to be King of the Cracksmen;
as you call it; but however respectable he may have the
misfortune to be; one's friend is one's friend; and as such must
be severely let alone。  What! shall there be no more honour among
thieves than there is honesty among politicians?  Why; man; if
under heaven there were but one poor lock unpicked; and that the
lock of one whose claret you've drunk; and who has babbled of
woman across your own mahogany … that lock; sir; were entirely
sacred。  Sacred as the Kirk of Scotland; sacred as King George
upon his throne; sacred as the memory of Bruce and Bannockburn。

MOORE。  Oh; rot!  I ain't a parson; I ain't; I never had no
college education。  Business is business。  That's wot's the
matter with me。

BRODIE。  Ay; so we said when you lost that fight with Newcastle 
Jemmy; and sent us all home poor men。  That was a nick above YOU。

MOORE。  Newcastle Jemmy!  Muck:  that's my opinion of him:  muck。 
I'll mop the floor up with him any day; if so be as you or any on
'em 'll make it worth my while。  If not; muck!  That's my motto。 
Wot I now ses is; about that 'ere crib at Leslie's; wos I right;
I ses? or wos I wrong?  That's wot's the matter with you。

BRODIE。  You are both right and wrong。  You dared me to do it。  I
was drunk; I was upon my mettle; and I as good as did it。  More 
than that; black…guardly as it was; I enjoyed the doing。  He is
my friend。  He had dined with me that day; and I felt like a man
in a story。  I climbed his wall; I crawled along his pantry roof;
I mounted his window…sill。  That one turn of my wrist … you know
it I … and the casement was open。  It was as dark as the pit; and
I thought I'd won my wager; when; phewt! down went something
inside; and down went somebody with it。  I made one leap; and was
off like a rocket。  It was my poor friend in person; and if he'd
caught and passed me on to the watchman under the window; I
should have felt no viler rogue than I feel just now。

MOORE。  I s'pose he knows you pretty well by this time?

BRODIE。  'Tis the worst of friendship。  Here; Kirsty; fill these 
glasses。  Moore; here's better luck … and a more honourable
plant! … next time。

MOORE。  Deacon; I looks towards you。  But it looks thundering
like rotten eggs; don't it?

BRODIE。  I think not。  I was masked; for one thing; and for
another I was as quick as lightning。  He suspects me so little
that he dined with me this very afternoon。

MOORE。  Anyway; you ain't game to try it on again; I'll lay odds
on that。  Once bit; twice shy。  That's your motto。

BRODIE。  Right again。  I'll put my ALIBI to a better use。  And; 
Badger; one word in your ear:  there's no Newcastle Jemmy about
ME。  Drop the subject; and for good; or I shall drop you。 (HE
RISES; AND WALKS BACKWARDS AND FORWARDS; A LITTLE UNSTEADILY。 
THEN RETURNS; AND SITS L。; AS BEFORE。)


SCENE II

To these; HUNT; disguised He is disguised as a 'flying stationer'
with a patch over his eye。  He sits at table opposite BRODIE'S
and is served with bread and cheese and beer。

HAMILTON (FROM BEHIND)。  The deevil tak' the cairts!

AINSLIE。  Hoot; man; dinna blame the cairts。

MOORE。  Look here; Deacon; I mean business; I do。  (HUNT LOOKS UP
AT THE NAME OF 'DEACON。')

BRODIE。  Gad; Badger; I never meet you that you do not。  'You
have a set of the most commercial intentions!'  You make me
blush。

MOORE。  That's all blazing fine; that is!  But wot I ses is; wot 
about the chips?  That's what I ses。  I'm after that thundering
old Excise Office; I am。  That's my motto。

BRODIE。  'Tis a very good motto; and at your lips; Badger; it
kind of warms my heart。  But it's not mine。

MOORE。  Muck! why not?

BRODIE。  'Tis too big and too dangerous。  I shirk King George; he
has a fat pocket; but he has a long arm。  'You pilfer sixpence
from him; and it's three hundred reward for you; and a hue and
cry from Tophet to the stars。'  It ceases to be business; it
turns politics; and I'm not a politician; Mr。 Moore。  (RISING。) 
I'm only Deacon Brodie。

MOORE。  All right。  I can wait。

BRODIE (SEEING HUNT)。  Ha; a new face; … and with a patch!  
'There's nothing under heaven I like so dearly as a new face with
a patch。'  Who the devil; sir; are you that own it?  And where
did you get it?  And how much will you take for it second…hand?

HUNT。  Well; sir; to tell you the truth (BRODIE BOWS) it's not
for sale。  But it's my own; and I'll drink your honour's health
in  anything。 BRODIE。  An Englishman; too!  Badger; behold a
countryman。  What  are you; and what part of southern Scotland do
you come from?

HUNT。  Well; your honour; to tell you the honest truth …

'BRODIE (BOWING)。  Your obleeged!'

HUNT。  I knows a gentleman when I sees him; your honour 'and; to 
tell your honour the truth …

BRODIE。  JE VOUS BAISE LES MAINS!  (BOWING。)'

HUNT。  A gentleman as is a gentleman; your honour 'is always a 
gentleman; and to tell you the honest truth' …

BRODIE。  Great heavens! answer in three words; and be hanged to 
you!  What are you; and where are you from?


HUNT。  A patter…cove from Seven Dials。

BRODIE。  Is it possible?  All my life long have I been pining to 
meet with a patter…cove from Seven Dials!  Embrace me; at a 
distance。  'A patter…cove from Seven Dials!'  Go; fill yourself
as drunk as you dare; at my expense。  Anything he likes; Mrs。
Clarke。  He's a patter…cove from Seven Dials。  Hillo! what's all
this?

AINSLIE。  Dod; I'm for nae mair!  (AT BACK; AND RISING。)

PLAYERS。  Sit down; Ainslie。 … Sit down; Andra。 … Ma revenge!

AINSLIE。  Na; na; I'm for canny goin'。  (COMING FORWARD WITH 
BOTTLE。)  Deacon; let's see your gless。

BRODIE。  Not an inch of it。

MOORE。  No rotten shirking; Deacon!

'AINSLIE。  I'm sayin'; man; let's see your gless。

BRODIE。  Go to the deuce!'

AINSLIE。  But I'm sayin' …

BRODIE。  Haven't I to play to…night?

AINSLIE。  But; man; ye'll drink to bonnie Jean Watt?

BRODIE。  Ay; I'll follow you there。  A LA REINE DE MES AMOURS!  
(DRINKS。)  What fiend put this in your way; you hound?  You've 
filled me with raw stuff。  By the muckle deil! …

MOORE。  Don't hit him; Deacon; tell his mother。

HUNT (ASIDE)。  Oho!


SCENE III

To these; SMITH; RIVERS

SMITH。  Where's my beloved?  Deakin; my beauty; where are you?  
Come to the arms of George; and let him introduce you。  Capting 
Starlight Rivers!  Capting; the Deakin:  Deakin; the Capting。  An
English nobleman on the grand tour; to open his mind; by the
Lard!

RIVERS。  Stupendiously pleased to make your acquaintance; Mr。 
Deakin; split me!

'BRODIE。 
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