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the double-dealer-第1章

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The Double…Dealer



by William Congreve








Interdum tamen et vocem Comoedia tollit。HOR。 Ar。 Po。

Huic equidem consilio palmam do:  hic me magnifice

effero; qui vim tantam in me et potestatem habeam

tantae astutiae; vera dicendo ut eos ambos fallam。



SYR。 in TERENT。 Heaut。







TO THE RIGHT HONOURABLE CHARLES MONTAGUE;

ONE OF THE LORDS OF THE TREASURY。







Sir;I heartily wish this play were as perfect as I intended it;

that it might be more worthy your acceptance; and that my dedication

of it to you might be more becoming that honour and esteem which I;

with everybody who is so fortunate as to know you; have for you。  It

had your countenance when yet unknown; and now it is made public; it

wants your protection。



I would not have anybody imagine that I think this play without its

faults; for I am conscious of several。  I confess I designed

(whatever vanity or ambition occasioned that design) to have written

a true and regular comedy; but I found it an undertaking which put

me in mind of SUDET MULTUM; FRUSTRAQUE LABORET AUSUS IDEM。  And now;

to make amends for the vanity of such a design; I do confess both

the attempt and the imperfect performance。  Yet I must take the

boldness to say I have not miscarried in the whole; for the

mechanical part of it is regular。  That I may say with as little

vanity as a builder may say he has built a house according to the

model laid down before him; or a gardener that he has set his

flowers in a knot of such or such a figure。  I designed the moral

first; and to that moral I invented the fable; and do not know that

I have borrowed one hint of it anywhere。  I made the plot as strong

as I could because it was single; and I made it single because I

would avoid confusion; and was resolved to preserve the three

unities of the drama。  Sir; this discourse is very impertinent to

you; whose judgment much better can discern the faults than I can

excuse them; and whose good nature; like that of a lover; will find

out those hidden beauties (if there are any such) which it would be

great immodesty for me to discover。  I think I don't speak

improperly when I call you a LOVER of poetry; for it is very well

known she has been a very kind mistress to you:  she has not denied

you the last favour; and she has been fruitful to you in a most

beautiful issue。  If I break off abruptly here; I hope everybody

will understand that it is to avoid a commendation which; as it is

your due; would be most easy for me to pay; and too troublesome for

you to receive。



I have since the acting of this play harkened after the objections

which have been made to it; for I was conscious where a true critic

might have put me upon my defence。  I was prepared for the attack;

and am pretty confident I could have vindicated some parts and

excused others; and where there were any plain miscarriages; I would

most ingenuously have confessed 'em。  But I have not heard anything

said sufficient to provoke an answer。  That which looks most like an

objection does not relate in particular to this play; but to all or

most that ever have been written; and that is soliloquy。  Therefore

I will answer it; not only for my own sake; but to save others the

trouble; to whom it may hereafter be objected。



I grant that for a man to talk to himself appears absurd and

unnatural; and indeed it is so in most cases; but the circumstances

which may attend the occasion make great alteration。  It oftentimes

happens to a man to have designs which require him to himself; and

in their nature cannot admit of a confidant。  Such for certain is

all villainy; and other less mischievous intentions may be very

improper to be communicated to a second person。  In such a case;

therefore; the audience must observe whether the person upon the

stage takes any notice of them at all or no。  For if he supposes any

one to be by when he talks to himself; it is monstrous and

ridiculous to the last degree。  Nay; not only in this case; but in

any part of a play; if there is expressed any knowledge of an

audience; it is insufferable。  But otherwise; when a man in

soliloquy reasons with himself; and PRO'S and CON'S; and weighs all

his designs; we ought not to imagine that this man either talks to

us or to himself; he is only thinking; and thinking such matter as

were inexcusable folly in him to speak。  But because we are

concealed spectators of the plot in agitation; and the poet finds it

necessary to let us know the whole mystery of his contrivance; he is

willing to inform us of this person's thoughts; and to that end is

forced to make use of the expedient of speech; no other better way

being yet invented for the communication of thought。



Another very wrong objection has been made by some who have not

taken leisure to distinguish the characters。  The hero of the play;

as they are pleased to call him (meaning Mellefont); is a gull; and

made a fool; and cheated。  Is every man a gull and a fool that is

deceived?  At that rate I'm afraid the two classes of men will be

reduced to one; and the knaves themselves be at a loss to justify

their title。  But if an open…hearted honest man; who has an entire

confidence in one whom he takes to be his friend; and whom he has

obliged to be so; and who; to confirm him in his opinion; in all

appearance and upon several trials has been so:  if this man be

deceived by the treachery of the other; must he of necessity

commence fool immediately; only because the other has proved a

villain?  Ay; but there was caution given to Mellefont in the first

act by his friend Careless。  Of what nature was that caution?  Only

to give the audience some light into the character of Maskwell

before his appearance; and not to convince Mellefont of his

treachery; for that was more than Careless was then able to do:  he

never knew Maskwell guilty of any villainy; he was only a sort of

man which he did not like。  As for his suspecting his familiarity

with my Lady Touchwood; let 'em examine the answer that Mellefont

makes him; and compare it with the conduct of Maskwell's character

through the play。



I would beg 'em again to look into the character of Maskwell before

they accuse Mellefont of weakness for being deceived by him。  For

upon summing up the enquiry into this objection; it may be found

they have mistaken cunning in one character for folly in another。



But there is one thing at which I am more concerned than all the

false criticisms that are made upon me; and that is; some of the

ladies are offended。  I am heartily sorry for it; for I declare I

would rather disoblige all the critics in the world than one of the

fair sex。  They are concerned that I have represented some women

vicious and affected。  How can I help it?  It is the business of a

comic poet to paint the vices and follies of humankind; and there

are but two sexes; male and female; MEN and WOMEN; which have a

title to humanity; and if I leave one half of them out; the work

will be imperfect。  I should be very glad of an opportunity to make

my compliment to those ladies who are offended; but they can no more

expect it in a comedy than to be tickled by a surgeon when he's

letting 'em blood。  They who are virtuous or discreet should not be

offended; for such characters as these distinguish THEM; and make

their beauties more shining and observed; and they who are of the

other kind may nevertheless pass for such; by seeming not to be

displeased or touched with the satire of this COMEDY。  Thus have

they also wrongfully accused me of doing them a prejudice; when I

have in reality done them a service。



You will pardon me; sir; for the freedom I take of making answers to

other people in an epistle which ought wholly to be sacred to you;

but since I intend the play to be so too; I hope I may take the more

liberty of justifying it where it is in the right。



I must now; sir; declare to the world how kind you have been to my

endeavours; for in regard of what was well meant; you have excused

what was ill performed。  I beg you would continue the same method in

your acceptance of this dedication。  I know no other way of making a

return to that humanity you shewed; in protecting an infant; but by

enrolling it in your service; now that it is of age and come into

the world。  Therefore be pleased to accept of this as an

acknowledgment of the favour you have shewn me; and an earnest of

the real service and gratitude of;



Sir; your most obliged; humble servant;



WILLIAM CONGREVE。







TO MY DEAR FRIEND MR。 CONGREVE;

ON HIS COMEDY CALLED THE DOUBLE…DEALER。







Well then; the promised hour is come at last;

The present age of wit obscures the past。

Strong were our sires; and as they fought they writ;

Conqu'ring with force of arms and dint of wit。

Theirs was the giant race; before the flood;

And thus; when Charles returned; our empire stood。

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