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george cruikshank-第8章

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than any other lawyers in the world; took the advice of a Mr。

Bagsby; of Lyon's Inn; whose name; as we cannot find it in the 〃Law

List;〃 we presume to be fictitious。  Who could it be that was a

match for the devil?  Lord  very likely; we shall not give his

name; but let every reader of this Review fill up the blank

according to his own fancy; and on comparing it with the copy

purchased by his neighbors; he will find that fifteen out of twenty

have written down the same honored name。



Well; the Gentleman in Black was anxious for the fulfilment of his

bond。  The parties met at Mr。 Bagsby's chambers to consult; the

Black Gentleman foolishly thinking that he could act as his own

counsel; and fearing no attorney alive。  But mark the superiority of

British law; and see how the black pettifogger was defeated。



Mr。 Bagsby simply stated that he would take the case into Chancery;

and his antagonist; utterly humiliated and defeated; refused to move

a step farther in the matter。



And now the French gentleman; M。 Desonge; hearing of his friend's

escape; became anxious to be free from his own rash engagements。  He

employed the same counsel who had been successful in the former

instance; but the Gentleman in Black was a great deal wiser by this

time; and whether M。 Desonge escaped; or whether he is now in that

extensive place which is paved with good intentions; we shall not

say。  Those who are anxious to know had better purchase the book

wherein all these interesting matters are duly set down。  There is

one more diabolical picture in our budget; engraved by Mr。 Thompson;

the same dexterous artist who has rendered the former diableries so

well。



We may mention Mr。 Thompson's name as among the first of the

engravers to whom Cruikshank's designs have been entrusted; and next

to him (if we may be allowed to make such arbitrary distinctions) we

may place Mr。 Williams; and the reader is not possibly aware of the

immense difficulties to be overcome in the rendering of these little

sketches; which; traced by the designer in a few hours; require

weeks' labor from the engraver。  Mr。 Cruikshank has not been

educated in the regular schools of drawing (very luckily for him; as

we think); and consequently has had to make a manner for himself;

which is quite unlike that of any other draftsman。  There is nothing

in the least mechanical about it; to produce his particular effects

he uses his own particular lines; which are queer; free; fantastical;

and must be followed in all their infinite twists and vagaries by

the careful tool of the engraver。  Those three lovely heads; for

instance; imagined out of the rinds of lemons; are worth examining;

not so much for the jovial humor and wonderful variety of feature

exhibited in these darling countenances as for the engraver's part

of the work。  See the infinite delicate cross…lines and hatchings

which he is obliged to render; let him go; not a hair's breadth; but

the hundredth part of a hair's breadth; beyond the given line; and

the FEELING of it is ruined。  He receives these little dots and

specks; and fantastical quirks of the pencil; and cuts away with a

little knife round each; not too much nor too little。  Antonio's

pound of flesh did not puzzle the Jew so much; and so well does the

engraver succeed at last; that we never remember to have met with a

single artist who did not vow that the wood…cutter had utterly

ruined his design。



Of Messrs。 Thompson and Williams we have spoken as the first

engravers in point of rank; however; the regulations of professional

precedence are certainly very difficult; and the rest of their

brethren we shall not endeavor to class。  Why should the artists who

executed the cuts of the admirable 〃Three Courses〃 yield the pas to

any one?



There; for instance; is an engraving by Mr。 Landells; nearly as good

in our opinion as the very best woodcut that ever was made after

Cruikshank; and curiously happy in rendering the artist's peculiar

manner: this cut does not come from the facetious publications which

we have consulted; but is a contribution by Mr。 Cruikshank to an

elaborate and splendid botanical work upon the Orchidaceae of

Mexico; by Mr。 Bateman。  Mr。 Bateman despatched some extremely

choice roots of this valuable plant to a friend in England; who; on

the arrival of the case; consigned it to his gardener to unpack。  A

great deal of anxiety with regard to the contents was manifested by

all concerned; but on the lid of the box being removed; there issued

from it three or four fine specimens of the enormous Blatta beetle

that had been preying upon the plants during the voyage; against

these the gardeners; the grooms; the porters; and the porters'

children; issued forth in arms; and this scene the artist has

immortalized。



We have spoken of the admirable way in which Mr。 Cruikshank has

depicted Irish character and Cockney character; English country

character is quite as faithfully delineated in the person of the

stout porteress and her children; and of the 〃Chawbacon〃 with the

shovel; on whose face is written 〃Zummerzetsheer。〃  Chawbacon

appears in another plate; or else Chawbacon's brother。  He has come

up to Lunnan; and is looking about him at raaces。



How distinct are these rustics from those whom we have just been

examining!  They hang about the purlieus of the metropolis: Brook

Green; Epsom; Greenwich; Ascot; Goodwood; are their haunts。  They

visit London professionally once a year; and that is at the time of

Bartholomew fair。  How one may speculate upon the different degrees

of rascality; as exhibited in each face of the thimblerigging trio;

and form little histories for these worthies; charming Newgate

romances; such as have been of late the fashion!  Is any man so

blind that he cannot see the exact face that is writhing under the

thhnblerigged hero's hat?  Like Timanthes of old; our artist

expresses great passions without the aid of the human countenance。

There is another specimena street row of inebriated bottles。  Is

there any need of having a face after this?  〃Come on!〃 says Claret…

bottle; a dashing; genteel fellow; with his hat on one ear〃Come

on! has any man a mind to tap me?〃  Claret…bottle is a little

screwed (as one may see by his legs); but full of gayety and

courage; not so that stout; apoplectic Bottle…of…rum; who has

staggered against the wall; and has his hand upon his liver: the

fellow hurts himself with smoking; that is clear; and is as sick as

sick can be。  See; Port is making away from the storm; and Double X

is as flat as ditch…water。  Against these; awful in their white

robes; the sober watchmen come。



Our artist then can cover up faces; and yet show them quite clearly;

as in the thimblerig group; or he can do without faces altogether;

or he can; at a pinch; provide a countenance for a gentleman out of

any given objecta beautiful Irish physiognomy being moulded upon a

keg of whiskey; and a jolly English countenance frothing out of a

pot of ale (the spirit of brave Toby Philpot come back to reanimate

his clay); while in a fungus may be recognized the physiognomy of a

mushroom peer。  Finally; if he is at a loss; he can make a living

head; body; and legs out of steel or tortoise…shell; as in the case

of the vivacious pair of spectacles that are jockeying the nose of

Caddy Cuddle。



Of late years Mr。 Cruikshank has busied himself very much with steel

engraving; and the consequences of that lucky invention have been;

that his plates are now sold by thousands; where they could only be

produced by hundreds before。  He has made many a bookseller's and

author's fortune (we trust that in so doing he may not have

neglected his own)。  Twelve admirable plates; furnished yearly to

that facetious little publication; the Comic Almanac; have gained

for it a sale; as we hear; of nearly twenty thousand copies。  The

idea of the work was novel; there was; in the first number

especially; a great deal of comic power; and Cruikshank's designs

were so admirable that the Almanac at once became a vast favorite

with the public; and has so remained ever since。



Besides the twelve plates; this almanac contains a prophetic

woodcut; accompanying an awful Blarneyhum Astrologicum that appears

in this and other almanacs。  There is one that hints in pretty clear

terms that with the Reform of Municipal Corporations the ruin of the

great Lord Mayor of London is at hand。  His lordship is meekly going

to dine at an eightpenny ordinary; his giants in pawn; his men in

armor dwindled to 〃one poor knight;〃 his carriage to be sold; his

stalwart aldermen vanished; his sheriffs; alas! and alas! in gaol!

Another design shows that Rigdum; if a true; is also a moral and

instructive prophet。  John Bull is asleep; or rather in a vision;

the cunning demon; Speculation; blowing a thousand bright bubbles

about him。  Meanwhile the rooks are busy at his fob; a knave has cut

a 
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