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the ways of men-第22章

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Some years ago I happened to be standing in the vestibule of  the Hotel Bristol as the Princess of Wales and her daughters  were leaving。  Mr。 Morlock; the proprietor; was at the foot of  the stairs to take leave of those ladies; who shook hands with  and thanked him for his attention during their stay; and for  the flowers he had sent。  Nothing could have been more  gracious and freer from condescension than their manner; and  it undoubtedly produced the best impression。  The waiter who  served me at that time was also under their charm; and  remarked several times that 〃there had never been ladies so  easy to please or so considerate of the servants。〃

My neighbor at dinner the other evening confided to me that  she was 〃worn out being fitted。〃  〃I had such an unpleasant  experience this morning;〃 she added。  〃The JUPIERE could not  get one of my skirts to hang properly。  After a dozen attempts  I told her to send for the forewoman; when; to my horror; the  girl burst out crying; and said she should lose her place if I  did。  I was very sorry for her; but what else could I do?〃  It  does not seem as if that lady could be very popular with  inferiors; does it?

That it needs a lighter hand and more tact to deal with  tradespeople than with equals is certain; and we are sure to  be the losers when we fail。  The last time I was in the East a  friend took me into the bazaars to see a carpet he was anxious  to buy。  The price asked was out of all proportion to its  value; but we were gravely invited by the merchant to be  seated and coffee was served; that bargaining (which is the  backbone of Oriental trade) might be carried on at leisure。   My friend; nervous and impatient; like all our race; turned to  me and said; 〃What's all this tomfoolery?  Tell him I'll give  so much for his carpet; he can take it or leave it。〃  When  this was interpreted to the bearded tradesman; he smiled and  came down a few dollars in his price; and ordered more coffee。   By this time we were outside his shop; and left without the  carpet simply because my friend could not conform to the  customs of the country he was visiting。  The sale of his  carpet was a big affair for the Oriental; he intended to carry  it through with all the ceremony the occasion required; and  would sooner not make a sale than be hustled out of his  stately routine。

It is not only in intercourse with inferiors that tact is  required。  The treatment of children and young people in a  family calls for delicate handling。  The habit of taking  liberties with young relations is a common form of a relaxed  social code and the besetting sin of elderly people; who;  having little to interest them in their own lives; imagine  that their mission is to reform the ways and manners of their  family。  Ensconced behind the respect which the young are  supposed to pay them; they give free vent to inclination; and  carp; cavil; and correct。  The victims may have reached  maturity or even middle age; but remain always children to  these social policemen; to be reproved and instructed in and  out of season。  〃I am doing this for your own good;〃 is an  excuse that apparently frees the veterans from the necessity  of respecting the prejudices and feelings of their pupils; and  lends a gloss of unselfishness to actions which are simply  impertinent。  Oddly enough; amateur 〃schoolmarms〃 who fall  into this unpleasant habit are generally oversensitive; and  resent as a personal affront any restlessness under criticism  on the part of their victims。  It is easy; once the habit is  acquired; to carry the suavity and consideration of general  society into the home circle; yet how often is it done?  I  should like to see the principle that ordered presentation of  arms to the infant princess applied to our intimate relations;  and the rights of the young and dependent scrupulously  respected。

In the third act of CASTE; when old Eccles steals the 〃coral〃  from his grandson's neck; he excuses the theft by a  grandiloquent soliloquy; and persuades himself that he is  protecting 〃the weak and the humble〃 (pointing to himself)  〃against the powerful and the strong〃 (pointing to the baby)。   Alas; too many of us take liberties with those whom we do not  fear; and excuse our little acts of cowardice with arguments  as fallacious as those of drunken old Eccles。




Chapter 18 … What is 〃Art〃?


IN former years; we inquiring youngsters in foreign studios  were much bewildered by the repetition of a certain phrase。   Discussion of almost any picture or statue was (after other  forms of criticism had been exhausted) pretty sure to conclude  with; 〃It's all very well in its way; but it's not Art。〃  Not  only foolish youths but the 〃masters〃 themselves constantly  advanced this opinion to crush a rival or belittle a friend。   To ardent minds seeking for the light and catching at every  thread that might serve as a guide out of perplexity; this  vague assertion was confusing。  According to one master; the  eighteenth…century 〃school〃 did not exist。  What had been  produced at that time was pleasing enough to the eye; but 〃was  not Art!〃  In the opinion of another; Italian music might  amuse or cheer the ignorant; but could not be recognized by  serious musicians。

As most of us were living far from home and friends for the  purpose of acquiring the rudiments of art; this continual  sweeping away of our foundations was discouraging。  What was  the use; we sometimes asked ourselves; of toiling; if our work  was to be cast contemptuously aside by the next 〃school〃 as a  pleasing trifle; not for a moment to be taken seriously?  How  was one to find out the truth?  Who was to decide when doctors  disagreed?  Where was the rock on which an earnest student  might lay his cornerstone without the misgiving that the next  wave in public opinion would sap its base and cast him and his  ideals out again at sea?

The eighteenth…century artists and the Italian composers had  been sincere and convinced that they were producing works of  art。  In our own day the idol of one moment becomes the jest  of the next。  Was there; then; no fixed law?

The short period; for instance; between 1875 and the present  time has been long enough for the talent of one painter  (Bastien…Lepage) to be discovered; discussed; lauded;  acclaimed; then gradually forgotten and decried。  During the  years when we were studying in Paris; that young painter's  works were pronounced by the critics and their following to be  the last development of Art。  Museums and amateurs vied with  each other in acquiring his canvases。  Yet; only this spring;  while dining with two or three art critics in the French  capital; I heard Lepage's name mentioned and his works  recalled with the smile that is accorded to those who have  hoodwinked the public and passed off spurious material as the  real thing。

If any one doubts the fleeting nature of a reputation; let him  go to a sale of modern pictures and note the prices brought by  the favorites of twenty years ago。  The paintings of that  arch…priest; Meissonier; no longer command the sums that eager  collectors paid for them a score of years back。  When a great  European critic dares assert; as one has recently; of the  master's 〃1815;〃 that 〃everything in the picture appears  metallic; except the cannon and the men's helmets;〃 the mighty  are indeed fallen!  It is much the same thing with the old  masters。  There have been fashions in them as in other forms  of art。  Fifty years ago Rembrandt's work brought but small  prices; and until Henri Rochefort (during his exile) began to  write up the English school; Romneys; Lawrences; and  Gainsboroughs had little market value。

The result is that most of us are as far away from the  solution of that vexed question 〃What is Art?〃 at forty as we  were when boys。  The majority have arranged a compromise with  their consciences。  We have found out what we like (in itself  no mean achievement); and beyond such personal preference; are  shy of asserting (as we were fond of doing formerly) that such  and such works are 〃Art;〃 and such others; while pleasing and  popular; lack the requisite qualities。

To enquiring minds; sure that an answer to this question  exists; but uncertain where to look for it; the fact that one  of the thinkers of the century has; in a recent 〃Evangel;〃  given to the world a definition of 〃Art;〃 the result of many  years' meditation; will be received with joy。  〃Art;〃 says  Tolstoi; 〃is simply a condition of life。  It is any form of  expression that a human being employs to communicate an  emotion he has experienced to a fellow…mortal。〃

An author who; in telling his hopes and sorrows; amuses or  saddens a reader; has in just so much produced a work of art。   A lover who; by the sincerity of his accent; communicates the  flame that is consuming him to the object of his adoration;  the shopkeeper who inspires a purchaser with his own  admiration for an object on sale; the baby that makes its joy  known to a parent … artists! artists!  Brown; Jones; or  Robinson; the moment he has consciously produced on a  neighbor's ear or eye the sensation that a sound or a  combination of colors has effected on his own organs; is an  artist!

Of cour
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