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knew what had happened。
〃I wish I could say something; I can't。〃  Lady Caroline spoke in a 
harsh; grunting voice that few people had ever heard her use。
Francesca crossed the Mall and the carriage drove on。
〃Heaven help that poor woman;〃 said Lady Caroline; which was; for 
her; startlingly like a prayer。
As Francesca entered the hall she gave a quick look at the table; 
several packages; evidently an early batch of Christmas presents; 
were there; and two or three letters。  On a salver by itself was 
the cablegram for which she had waited。  A maid; who had evidently 
been on the lookout for her; brought her the salver。  The servants 
were well aware of the dreadful thing that was happening; and there 
was pity on the girl's face and in her voice。
〃This came for you ten minutes ago; ma'am; and Mr。 Greech has been 
here; ma'am; with another gentleman; and was sorry you weren't at 
home。  Mr。 Greech said he would call again in about half…an…hour。〃
Francesca carried the cablegram unopened into the drawing…room and 
sat down for a moment to think。  There was no need to read it yet; 
for she knew what she would find written there。  For a few pitiful 
moments Comus would seem less hopelessly lost to her if she put off 
the reading of that last terrible message。  She rose and crossed 
over to the windows and pulled down the blinds; shutting out the 
waning December day; and then reseated herself。  Perhaps in the 
shadowy half…light her boy would come and sit with her again for 
awhile and let her look her last upon his loved face; she could 
never touch him again or hear his laughing; petulant voice; but 
surely she might look on her dead。  And her starving eyes saw only 
the hateful soulless things of bronze and silver and porcelain that 
she had set up and worshipped as gods; look where she would they 
were there around her; the cold ruling deities of the home that 
held no place for her dead boy。  He had moved in and out among 
them; the warm; living; breathing thing that had been hers to love; 
and she had turned her eyes from that youthful comely figure to 
adore a few feet of painted canvas; a musty relic of a long 
departed craftsman。  And now he was gone from her sight; from her 
touch; from her hearing for ever; without even a thought to flash 
between them for all the dreary years that she should live; and 
these things of canvas and pigment and wrought metal would stay 
with her。  They were her soul。  And what shall it profit a man if 
he save his soul and slay his heart in torment?
On a small table by her side was Mervyn Quentock's portrait of her 
… the prophetic symbol of her tragedy; the rich dead harvest of 
unreal things that had never known life; and the bleak thrall of 
black unending Winter; a Winter in which things died and knew no 
re…awakening。
Francesca turned to the small envelope lying in her lap; very 
slowly she opened it and read the short message。  Then she sat numb 
and silent for a long; long time; or perhaps only for minutes。  The 
voice of Henry Greech in the hall; enquiring for her; called her to 
herself。 Hurriedly she crushed the piece of paper out of sight; he 
would have to be told; of course; but just yet her pain seemed too 
dreadful to be laid bare。  〃Comus is dead〃 was a sentence beyond 
her power to speak。
〃I have bad news for you; Francesca; I'm sorry to say;〃 Henry 
announced。  Had he heard; too?
〃Henneberg has been here and looked at the picture;〃 he continued; 
seating himself by her side; 〃and though he admired it immensely as 
a work of art he gave me a disagreeable surprise by assuring me 
that it's not a genuine Van der Meulen。  It's a splendid copy; but 
still; unfortunately; only a copy。〃
Henry paused and glanced at his sister to see how she had taken the 
unwelcome announcement。  Even in the dim light he caught some of 
the anguish in her eyes。
〃My dear Francesca;〃 he said soothingly; laying his hand 
affectionately on her arm; 〃I know that this must be a great 
disappointment to you; you've always set such store by this 
picture; but you mustn't take it too much to heart。  These 
disagreeable discoveries come at times to most picture fanciers and 
owners。  Why; about twenty per cent。 of the alleged Old Masters in 
the Louvre are supposed to be wrongly attributed。  And there are 
heaps of similar cases in this country。  Lady Dovecourt was telling 
me the other day that they simply daren't have an expert in to 
examine the Van Dykes at Columbey for fear of unwelcome 
disclosures。  And besides; your picture is such an excellent copy 
that it's by no means without a value of its own。  You must get 
over the disappointment you naturally feel; and take a 
philosophical view of the matter。 。 。 〃
Francesca sat in stricken silence; crushing the folded morsel of 
paper tightly in her hand and wondering if the thin; cheerful voice 
with its pitiless; ghastly mockery of consolation would never stop。
End