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a wagner matinee-第2章

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operas and found that she had not; though she was perfectly



familiar with their respective situations; and had once possessed



the piano score of The Flying Dutchman。  I began to think it



would have been best to get her back to Red Willow County without



waking her; and regretted having suggested the concert。







From the time we entered the concert hall; however; she was



a trifle less passive and inert; and for the first time seemed to



perceive her surroundings。  I had felt some trepidation lest she



might become aware of the absurdities of her attire; or might



experience some painful embarrassment at stepping suddenly into



the world to which she had been dead for a quarter of a century。 



But; again; I found how superficially I had judged her。  She sat



looking about her with eyes as impersonal; almost as stony; as



those with which the granite Rameses in a museum watches the



froth and fret that ebbs and flows about his pedestal…separated



from it by the lonely stretch of centuries。  I have seen this



same aloofness in old miners who drift into the Brown Hotel at



Denver; their pockets full of bullion; their linen soiled; their



haggard faces unshaven; standing in the thronged corridors as



solitary as though they were still in a frozen camp on the Yukon;



conscious that certain experiences have isolated them from their



fellows by a gulf no haberdasher could bridge。







We sat at the extreme left of the first balcony; facing the



arc of our own and the balcony above us; veritable hanging



gardens; brilliant as tulip beds。  The matinee audience was made



up chiefly of women。  One lost the contour of faces and figures



indeed; any effect of line whatever…and there was only the color



of bodices past counting; the shimmer of fabrics soft and firm;



silky and sheer: red; mauve; pink; blue; lilac; purple; ecru;



rose; yellow; cream; and white; all the colors that an



impressionist finds in a sunlit landscape; with here and there



the dead shadow of a frock coat。  My Aunt Georgiana regarded them



as though they had been so many daubs of tube…paint on a palette。







When the musicians came out and took their places; she gave



a little stir of anticipation and looked with quickening interest



down over the rail at that invariable grouping; perhaps the first



wholly familiar thing that had greeted her eye since she had left



old Maggie and her weakling calf。  I could feel how all those



details sank into her soul; for I had not forgotten how they had



sunk into mine when。  I came fresh from plowing forever and



forever between green aisles of corn; where; as in a treadmill;



one might walk from daybreak to dusk without perceiving a shadow



of change。  The clean profiles of the musicians; the gloss of



their linen; the dull black of their coats; the beloved shapes of



the instruments; the patches of yellow light thrown by the green…



shaded lamps on the smooth; varnished bellies of the cellos and



the bass viols in the rear; the restless; wind…tossed forest of



fiddle necks and bows…I recalled how; in the first orchestra I



had ever heard; those long bow strokes seemed to draw the heart



out of me; as a conjurer's stick reels out yards of paper ribbon



from a hat。







The first number was the Tannhauser overture。  When the



horns drew out the first strain of the Pilgrim's chorus my Aunt



Georgiana clutched my coat sleeve。  Then it was I first realized



that for her this broke a silence of thirty years; the



inconceivable silence of the plains。  With the battle between the



two motives; with the frenzy of the Venusberg theme and its



ripping of strings; there came to me an overwhelming sense of the



waste and wear we are so powerless to combat; and I saw again the



tall; naked house on the prairie; black and grim as a wooden



fortress; the black pond where I had learned to swim; its margin



pitted with sun…dried cattle tracks; the rain…gullied clay banks



about the naked house; the four dwarf ash seedlings where the



dishcloths were always hung to dry before the kitchen door。  The



world there was the flat world of the ancients; to the east; a



cornfield that stretched to daybreak; to the west; a corral that



reached to sunset; between; the conquests of peace; dearer bought



than those of war。







The overture closed; my aunt released my coat sleeve; but



she said nothing。  She sat staring at the orchestra through a



dullness of thirty years; through the films made little by little



by each of the three hundred and sixty…five days in every one of



them。  What; I wondered; did she get from it?  She had been a good



pianist in her day I knew; and her musical education had been



broader than that of most music teachers of a quarter of a



century ago。  She had often told me of Mozart's operas and



Meyerbeer's; and I could remember hearing her sing; years ago;



certain melodies of Verdi's。  When I had fallen ill with a fever



in her house she used to sit by my cot in the eveningwhen the



cool; night wind blew in through the faded mosquito netting



tacked over the window; and I lay watching a certain bright star



that burned red above the cornfieldand sing 〃Home to our



mountains; O; let us return!〃 in a way fit to break the heart of



a Vermont boy near dead of homesickness already。







I watched her closely through the prelude to Tristan and



Isolde; trying vainly to conjecture what that seething turmoil



of strings and winds might mean to her; but she sat mutely staring



at the violin bows that drove obliquely downward; like the



pelting streaks of rain in a summer shower。  Had this music any



message for her?  Had she enough left to at all comprehend this



power which had kindled the world since she had left it?  I was



in a fever of curiosity; but Aunt Georgiana sat silent upon her



peak in Darien。  She preserved this utter immobility throughout



the number from The Flying Dutchman; though her fingers



worked mechanically upon her black dress; as though; of themselves;



they were recalling the piano score they had once played。  Poor old



hands!  They had been stretched and twisted into mere tentacles to



hold and lift and knead with; the palms unduly swollen; the



fingers bent and knottedon one of them a thin; worn band that



had once been a wedding ring。  As I pressed and gently quieted



one of those groping hands I remembered with quivering eyelids



their services for me in other days。







Soon after the tenor began the 〃Prize Song;〃 I heard a quick



drawn breath and turned to my aunt。  Her eyes were closed; but



the tears were glistening on her cheeks; and I think; in a moment



more; they were in my eyes as well。  It never really died; then



the soul that can suffer so excruciatingly and so interminably;



it withers to the outward eye only; like that strange moss which



can lie on a dusty shelf half a century and yet; if placed in



water; grows green again。  She wept so throughout the development



and elaboration of the melody。







During the intermission before the second half of the concert; I



questioned my aunt and found that the 〃Prize Song〃 was not new to



her。  Some years before there had drifted to the farm in Red Willow



County a young German; a tramp cowpuncher; who had sung the chorus



at Bayreuth; when he was a boy; along with the other peasant boys



and girls。  Of a Sunday morning he used to sit on his



gingham…sheeted bed in the hands' bedroom which opened off the



kitchen; cleaning the leather of his boots and saddle; singing the



〃Prize Song;〃 while my aunt went about her work in the kitchen。 



She had hovered about him until she had prevailed upon him to join



the country church; though his sole fitness for this step; insofar



as I could gather; lay in his boyish face and his possession of



this divine melody。  Shortly afterward he had gone to town on the



Fourth of July; been drunk for several days; lost his money at a



faro table; ridden a saddled Texan steer on a bet; and disappeared



with a fractured collarbone。  All this my aunt told me huskily;



wanderingly; as though she were talking in the weak lapses of



illness。







〃Well; we have come to better things than the old Trovatore



at any rate; Aunt Georgie?〃 I queried; with a well…meant effort



at jocularity。







Her lip quivered and she hastily put her handkerchief up to



her mouth。  From behind it she murmured; 〃And you have been



hearing this ever since you left me; Clark?〃  Her questio
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