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forty centuries of ink-第20章

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for words; but chiefly for ornamenting capital

letters。



A large room was in most monasteries set apart for

such labors and here the general transcribers pursued

their avocations; in addition; small rooms or cells;

known also as scriptoria; occupied by such monks as

were considered; from their piety and learning; to be

entitled to the indulgence; and used by them for their

private devotions; as well as for the purpose of transcribing

works for the use of the church or library。

The scriptoria were frequently enriched by donations

and bequests from those who knew the value of the

works carried on in them; and large estates were often

devoted to their support。



     〃Meanwhile along the cloister's painted side;

          The monkseach bending low upon his book

     With head on hand reclinedtheir studies plied;

          Forbid to parley; or in front to look;



     Lengthways their regulated seats they took:

          The strutting prior gazed with pompous mien;

     And wakeful tongue; prepared with prompt rebuke;

          If monk asleep in sheltering hood was seen;

     He wary often peeped beneath that russet screen。



     〃Hard by; against the window's adverse light;

          Where desks were wont in length of row to stand;

     The gowned artificers inclined to write;

          The pen of silver glistened in the hand

     Some of their fingers rhyming Latin scanned;

          Some textile gold from halls unwinding drew;

     And on strained velvet stately portraits planned;

          Here arms; there faces shown in embryo view;

     At last to glittering life the total figures grew。〃

                                        FOSBROOKE。



The public scribes of those days were employed

mostly by secular individuals; although subject to be

called upon at any moment by the fathers of the

church。 They worked in their homes except when

any valuable work was to be copied; then in that of

their employer; who boarded and lodged them during

the time of their engagement。



To differentiate the character of the class of pigments

or materials then employed in making colored

inks; from those of the more ancient times is difficult;

because we not only find many of like character but of

larger variety。 These were used more for purposes of

illuminating and embellishing than for regular writing。



Even when printing had been invented spaces were

frequently left; both in the block books and in the

earliest movable type; for the illumination by hand;

of initial letters so as to deceive purchasers into the

belief that the printed type which was patterned

closely after the forms of letters employed in MSS。

writings was the real thing。 The learned soon discovered

such frauds and thereafter these practices

were abandoned。







CHAPTER X。



RENAISSANCE INK。



INK OF GRAY COLOR BELONGING TO THE SIXTEENTH CENTURY

AND ITS CAUSESINFLUENCE OF THE FATHERS OF

THE CHURCH RESPECTING INK DURING THE DARK

AGESTHE REFORMATION AND HOW IT AFFECTED MEDIAEVAL

MSS。REMARKS OF BALE ABOUT THEIR DESTRUCTION

QUAINT INK RECEIPT OF 1602SELECTION

FROM THE TWELFTH NIGHT RELATING TO PEN AND

INKGENERAL CONDITIONS WHICH OBTAINED UNTIL

1626THE FRENCH GOVERNMENT AWARDS AN INK

CONTRACT IN THAT YEAROTHER GOVERNMENTS ADOPT

THE FRENCH FORMULAINKS OF THE SEVENTEENTH

CENTURY ALMOST PERFECT IN THEIR COLOR PHENOMENA

NO ADDED COLOR EMPLOYED IN THEIR MANUFACTURE。



THE gray color of most of the inks found on documents

written in the sixteenth century is a noteworthy

fact。 Whence its cause is a matter for considerable

speculation。 The majority of these inks

unquestionably belong to the 〃gall〃 class and if prepared

after the formulas utilized in preceding centuries

should indicate like color phenomena。 As

these same peculiarities exist on both paper; vellum

and parchment; it cannot be attributed to their use。

Investigations in many instances of the writings indicate

the exercise of a more rapid pen movement

and a consequent employment of inks of greater

fluidity than those of an earlier history。 Such fluidity

could only be obtained by a reduction of the quantity

of gummy vehicles together with an increase of ink

acidity。 The acids which had theretofore been more

or less introduced into inks; except oxalic acid; could

not effect such results。 Consequently; as the monuments

of this gray ink phenomena are to be found

belonging to all the portions of the Christian world;

with a uniformity that is certainly remarkable; it becomes

a fair deduction to assume that the making of

inks bad passed into the hands of regular manufacturers

who adulterated them with 〃added〃 color。



We can well believe that the influences which the

fathers of the Church exerted during the thousand

years known as the 〃Dark Ages;〃 in respect to ink

and kindred subjects; must have been very great。

That they endeavored to perpetuate for the benefit of

succeeding generations in book and other forms; this

kind of information; which they distributed throughout

the world we know to be true。 Most of these

sources of ink information; however; gradually disappeared

as constituting a series of sad events in the unhappy

war which followed their preparation。



The Reformation began in Germany in the first

quarter of the sixteenth century; and with it the

eighty years of continual religious warfare which

followed。 During this period the priceless MSS。 books

of information; historical; literary and otherwise; contained

in the monastic libraries outside of Italy were

burnt。



We are told:



〃In England cupidity and intolerance destroyed

recklessly。 Thus; after the dissolution of monastic

establishments; persons were appointed to search

out all missals; books of legends; and such 'superstitious

books' and to destroy or sell them for

waste paper; reserving only their bindings; when;

as was frequently the case; they were ornamented

with massive gold and silver; curiously chased; and

often further enriched with precious stones; and so

industriously had these men done their work; destroying

all books in which they considered popish

tendencies to be shown by illumination; the use of

red letters; or of the Cross; or even by theto them

mysterious diagrams of mathematical problems

that when; some years later; Leland was appointed

to examine the monastic libraries; with a view to

the preservation of what was valuable in them; he

found that those who had preceded him had left

little to reward his search。〃



Bale; himself an advocate for the dissolution of

monasteries; says:



〃Never had we bene offended for the losse of

our lybraryes beyng so many in nombre and in so

desolute places for the moste parte; yf the chief

monuments and moste notable workes of our excellent

wryters had bene reserved; yf there had bene

in every shyre of Englande but one solemyne lybrary

for the preservacyon of those noble workes; and

preferrments of good learnyuges in our posteryte it

had bene yet somewhat。 But to destroye all without

consyderacyon is and wyll be unto Englande for

ever a most horryble infamy amonge the grave

senyours of other natyons。 A grete nombre of

them wych purchased of those superstycyose mansyons

reserved of those lybrarye bokes; some to

serve theyr jaks; some to scoure theyr candelstyckes;

and some to rubb theyr bootes 。 some they solde to

the grossers and sope sellers; and some they sent

over see to the bokebynders; not in small nombre;

but at tymes whole shippesful。 I knowa merchant

man; whyche shall at thys tyme be namelesse; that

boughte the content…; of two noble lybraryes for xl

shyllyngs pryce; a shame it is to be spoken。 Thys

stuffe hathe he occupyed in the stide of greve paper

for the space of more than these ten years; and yet

hathe store ynough for as many years to come。 A

prodyguous example is thys; and to be abhorred of

all men who love theyr n atyon as they shoulde do。〃



Passing to later epochs; A。 D。 1602; the following

quaint receipt proves interesting as showing that the

〃gall〃 inks were well known at that time:



 〃To make common Ink; of Wine take a quart;

     Two ounces of Gumme; let that be a part;

     Five ounces of Galls; of Cop'res take three;

     Long standing doth make it the better to be;

     If Wine ye do want; raine water is best;

     And then as much stuffe as above at the least;

     If the Ink be too thick; put Vinegar in;

     For water doth make the colour more dimme。〃



Shakespeare in his Twelfth Night III; 2; has also

referred to them in the following amusing strain:



〃Go write it in a martial hand; be curst and brief;

it is no matter how witty; so it be eloquent; and

full of invention; taunt him with the license of

ink; if thou thou'st him thrice; it shall nor be

amiss; and as many lies as will lie on a sheet of

paper; although the sheet were 
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