按键盘上方向键 ← 或 → 可快速上下翻页，按键盘上的 Enter 键可回到本书目录页，按键盘上方向键 ↑ 可回到本页顶部！
————未阅读完？加入书签已便下次继续阅读！
here； too； rain followed and threatened to ruin the harvest； here； too； a party of men； mostly peasants； dug up the body in the church； and immediately the clouds departed and the sun shone'so gracious was fortune to the opinion of the people；' adds the great scholar。 The corpse was first cast into unhallowed ground； the next day dug up； and after a horrible procession through the city thrown into the Arno。
These facts and the like bear a popular character； and might have occurred in the tenth； just as well as in the sixteenth century。 But now comes the literary influence of antiquity。 We know positively that the humanists were peculiarly accessible to prodigies and auguries； and instances of this have been already quoted。 If further evidence were needed； it would be found in Poggio。 The same radical thinker who denied the rights of noble birth and the inequality of men； not only believed in all the mediaeval stories of ghosts and devils； but also in prodigies after the ancient pattern； like those said to have occurred on the last visit of Pope Eugenius IV to Florence。 'Near Como there were seen one evening four thousand dogs； who took the road to Germany； these were followed by a great herd of cattle； and these by an army on foot and horseback； some with no heads and some with almost invisible heads； and then a gigantic horseman with another herd of cattle behind him。' Poggio also believes in a battle of magpies and jackdaws。 He even relates； perhaps without being aware of it； a well…preserved piece of ancient mythology。 On the Dalmatian coast a Triton had appeared； bearded and horned； a genuine sea…satyr； ending in fins and a tail； he carried away women and children from the shore； till five stout…hearted washerwomen killed him with sticks and stones。 A wooden model of the monster； which was exhibited at Ferrara； makes the whole story credible to Poggio。 Though there were no more oracles； and it was no longer possible to take counsel of the gods； yet it became again the fashion to open Virgil at hazard； and take the passage hit upon as an omen （'Sorted Virgilianae'）。 Nor can the belief in daemons current in the later period of antiquity have been without influence on the Renaissance。 The work of Iamblichus or Abarnmon on the Mysteries of the Egyptians； which may have contributed to this result； was printed in a Latin translation at the end of the fifteenth century。 The Platonic Academy at Florence was not free from these and other neoplatonic delusions of the Roman decadence。 A 'few words must here be given to the belief in demons and to the magic which was connected with this belief。
The popular faith in what is called the spirit…world was nearly the same in Italy as elsewhere in Europe。 In Italy as elsewhere there were ghosts； that is； reappearances of deceased persons； and if the view taken of them differed in any respect from that which prevailed in the North； the difference betrayed itself only in the ancient name 'ombra。' Even nowadays if such a shade presents itself； a couple of Masses are said for its repose。 That the spirits of bad men appear in a dreadful shape； is a matter of course； but along with this we find the notion that the ghosts of the departed are universally malicious。 The dead； says the priest in a novel of Bandello； kill the little children。 It seems as if a certain shade was here thought of as separate from the soul； since the latter suffers in Purgatory； and when it appears； does nothing but wail and pray。 At other times what appears is not the ghost of a man； but of an event … …of a past condition of things。 So the neighbors explained the diabolical appearances in the old palace of the Visconti near San Giovanni in Conca； at Milan； since here it was that Bernab Visconti had caused countless victims of his tyranny to be tortured and strangled； and no wonder if there were strange things to be seen。 One evening a swarm of poor people with candles in their hands appeared to a dishonest guardian of the poor at Perugia； and danced round about him； a great figure spoke in threatening tones on their behalf； it was St。 Alo； the patron saint of the poorhouse。 These modes of belief were so much a matter of course that the poets could make use of them as something which every reader would understand。 The appearance of the slain Lodovico Pico under the walls of the besieged Mirandola is finely represented by Castiglione。 It is true that poetry made the freest use of these conceptions when the poet himself had outgrown them。
Italy； too； shared the belief in demons with the other nations of the Middle Ages。 Men were convinced that God sometimes allowed bad spirits of every class to exercise a destructive influence on parts of the world and of human life。 The only reservation made was that the man to whom the Evil One came as tempter； could use his free will to resist。 In Italy the demonic influence； especially as shown in natural events； easily assumed a character of poetical greatness。 In the night before the great inundation of the Val d'Arno in 1333； a pious hermit above Vallombrosa heard a diabolical tumult in his cell； crossed himself； stepped to the door； and saw a crowd of black and terrible knights gallop by in amour。 When conjured to stand； one of them said： 'We go to drown the city of Florence on account of its sins； if God will let us。' With this； the nearly contemporary vision at Venice （1340） may be compared； out of which a great master of the Venetian school； probably Giorgione； made the marvelous picture of a galley full of daemons； which speeds with the swiftness of a bird over the stormy lagoon to destroy the sinful island…city； till the three saintS； who have stepped unobserved into a poor boatman's skiff； exorcised the fiends and sent them and their vessel to the bottom of the waters。
To this belief the illusion was now added that by means of magical arts it was possible to enter into relations with the evil ones； and use their help to further the purposes of greed； ambition； and sensuality。 Many persons were probably accused of doing so before the time when it was actually attempted by many； but when the so…called magicians and witches began to be burned； the deliberate practice of the black art became more frequent。 With the smoke of the fires in which the suspected victims were sacrificed； were spread the narcotic fumes by which numbers of ruined characters were drugged into magic； and with them many calculating impostors became associated。
The primitive and popular form in which the superstition had probably lived on uninterruptedly from the time of the Romans； was the art of the witch_（strege）。_The witch； so long as she limited herself to mere divination； might be innocent enough。 were it not that the transition from prophecy to active help could easily； though often imperceptibly； be a fatal downward step。 She was credited in such a case not only with the power of exciting love or hatred between man and woman； but also with purely destructive and malignant arts； and was especially charged with the sickness of little children； even when the malady obviously came from the neglect and stupidity of the parents。 It is still questionable how far she was supposed to act by mere magical ceremonies and formula； or by a conscious alliance with the fiends； apart from the poisons and drugs which she administered with a full knowledge of their effect。
The more innocent form of the superstition； in which the mendicant friar could venture to appear as the competitor of the witch； is shown in the case of the witch of Gaeta whom we read of in Pontano。 His traveller Suppatius reaches her dwelling while she is giving audience to a girl and a servingmaid； who come to her with a black hen； nine eggs laid on a Friday； a duck； and some white thread； for it is the third day since the new moon。 They are then sent away； and bidden to come again at twilight。 It is to be hoped that nothing worse than divination is intended。 The mistress of the servant…maid is pregnant by a monk； the girl's lover has proved untrue and has gone into a monastery。 The witch complains： 'Since my husband's death I support myself in this way； and should make a good thing of it； since the Gaetan women have plenty of faith； were it not that the monks balk me of my gains by explaining dreams； appeasing the anger of the saints for money； promising husbands to the girls； men…children to the pregnant women； offspring to the barren； and besides all this visiting the women at night when their husbands are away fishing； in accordance with the assignations made in daytime at church。' Suppatius warns her against the envy of the monastery； but she has no fear； since the guardian of it is an old acquaintance of hers。
But the superstition further gave rise to a worse sort of witches； namely those who deprived men of their health and life。 In these cases the mischief； when not sufficiently accounted for by the evil eye and the like； was naturally attributed to the aid of powerful spirits。 The punishment； as we have seen in the case of Finicella； was the stake； and yet a compromise with fanaticism was sometimes practi