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the metal pig-第3章

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tremendous noise at the door。

    〃Who is there?〃 asked somebody from within。

    〃It is I;〃 said he。 〃Bellissima is gone。 Open the door; and then

kill me。〃

    Then indeed there was a great panic。 Madame was so very fond of

Bellissima。 She immediately looked at the wall where the dog's dress

usually hung; and there was the little lambskin。

    〃Bellissima in the watch…house!〃 she cried。 〃You bad boy! how

did you entice her out? Poor little delicate thing; with those rough

policemen! and she'll be frozen with cold。〃

    Giuseppe went off at once; while his wife lamented; and the boy

wept。 Several of the neighbors came in; and amongst them the

painter。 He took the boy between his knees; and questioned him; and;

in broken sentences; he soon heard the whole story; and also about the

Metal Pig; and the wonderful ride to the picture…gallery; which was

certainly rather incomprehensible。 The painter; however; consoled

the little fellow; and tried to soften the lady's anger; but she would

not be pacified till her husband returned with Bellissima; who had

been with the police。 Then there was great rejoicing; and the

painter caressed the boy; and gave him a number of pictures。 Oh;

what beautiful pictures these were!… figures with funny heads; and;

above all; the Metal Pig was there too。 Oh; nothing could be more

delightful。 By means of a few strokes; it was made to appear on the

paper; and even the house that stood behind it had been sketched in。

Oh; if he could only draw and paint! He who could do this could

conjure all the world before him。 The first leisure moment during

the next day; the boy got a pencil; and on the back of one of the

other drawings he attempted to copy the drawing of the Metal Pig;

and he succeeded。 Certainly it was rather crooked; rather up and down;

one leg thick; and another thin; still it was like the copy; and he

was overjoyed at what he had done。 The pencil would not go quite as it

ought;… he had found that out; but the next day he tried again。 A

second pig was drawn by the side of the first; and this looked a

hundred times better; and the third attempt was so good; that

everybody might know what it was meant to represent。

    And now the glovemaking went on but slowly。 The orders given by

the shops in the town were not finished quickly; for the Metal Pig had

taught the boy that all objects may be drawn upon paper; and

Florence is a picture…book in itself for any one who chooses to turn

over its pages。 On the Piazza dell Trinita stands a slender pillar;

and upon it is the goddess of Justice; blindfolded; with her scales in

her hand。 She was soon represented on paper; and it was the

glovemaker's boy who placed her there。 His collection of pictures

increased; but as yet they were only copies of lifeless objects;

when one day Bellissima came gambolling before him: 〃Stand still;〃

cried he; 〃and I will draw you beautifully; to put amongst my

collection。〃

    But Bellissima would not stand still; so she must be bound fast in

one position。 He tied her head and tail; but she barked and jumped;

and so pulled and tightened the string; that she was nearly strangled;

and just then her mistress walked in。

    〃You wicked boy! the poor little creature!〃 was all she could

utter。

    She pushed the boy from her; thrust him away with her foot; called

him a most ungrateful; good…for…nothing; wicked boy; and forbade him

to enter the house again。 Then she wept; and kissed her little

half…strangled Bellissima。 At this moment the painter entered the

room。



        *        *        *        *        *        *        *





    In the year 1834 there was an exhibition in the Academy of Arts at

Florence。 Two pictures; placed side by side; attracted a large

number of spectators。 The smaller of the two represented a little

boy sitting at a table; drawing; before him was a little white poodle;

curiously shaven; but as the animal would not stand still; it had been

fastened with a string to its head and tail; to keep it in one

position。 The truthfulness and life in this picture interested every

one。 The painter was said to be a young Florentine; who had been found

in the streets; when a child; by an old glovemaker; who had brought

him up。 The boy had taught himself to draw: it was also said that a

young artist; now famous; had discovered talent in the child just as

he was about to be sent away for having tied up madame's favorite

little dog; and using it as a model。 The glovemaker's boy had also

become a great painter; as the picture proved; but the larger

picture by its side was a still greater proof of his talent。 It

represented a handsome boy; clothed in rags; lying asleep; and leaning

against the Metal Pig in the street of the Porta Rosa。 All the

spectators knew the spot well。 The child's arms were round the neck of

the Pig; and he was in a deep sleep。 The lamp before the picture of

the Madonna threw a strong; effective light on the pale; delicate face

of the child。 It was a beautiful picture。 A large gilt frame

surrounded it; and on one corner of the frame a laurel wreath had been

hung; but a black band; twined unseen among the green leaves; and a

streamer of crape; hung down from it; for within the last few days the

young artist had… died。





                            THE END



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