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Cleopatra


by H。 Rider Haggard









DEDICATION



  My dear Mother;



  I have for a long while hoped to be allowed to dedicate some book

  of mine to you; and now I bring you this work; because whatever

  its shortcomings; and whatever judgment may be passed upon it by

  yourself and others; it is yet the one I should wish you to

  accept。



  I trust that you will receive from my romance of 〃Cleopatra〃 some

  such pleasure as lightened the labour of its building up; and that

  it may convey to your mind a picture; however imperfect; of the

  old and mysterious Egypt in whose lost glories you are so deeply

  interested。



Your affectionate and dutiful Son;

H。 Rider Haggard。



January 21; 1889。









AUTHOR'S NOTE



The history of the ruin of Antony and Cleopatra must have struck many

students of the records of their age as one of the most inexplicable

of tragic tales。 What malign influence and secret hates were at work;

continually sapping their prosperity and blinding their judgment? Why

did Cleopatra fly at Actium; and why did Antony follow her; leaving

his fleet and army to destruction? An attempt is made in this romance

to suggest a possible answer to these and some other questions。



The reader is asked to bear in mind; however; that the story is told;

not from the modern point of view; but as from the broken heart and

with the lips of an Egyptian patriot of royal blood; no mere beast…

worshipper; but a priest instructed in the inmost mysteries; who

believed firmly in the personal existence of the gods of Khem; in the

possibility of communion with them; and in the certainty of immortal

life with its rewards and punishments; to whom also the bewildering

and often gross symbolism of the Osirian Faith was nothing but a veil

woven to obscure secrets of the Sanctuary。 Whatever proportion of

truth there may have been in their spiritual claims and imaginings; if

indeed there was any; such men as the Prince Harmachis have been told

of in the annals of every great religion; and; as is shown by the

testimony of monumental and sacred inscriptions; they were not unknown

among the worshippers of the Egyptian Gods; and more especially of

Isis。



Unfortunately it is scarcely possible to write a book of this nature

and period without introducing a certain amount of illustrative

matter; for by no other means can the long dead past be made to live

again before the reader's eyes with all its accessories of faded pomp

and forgotten mystery。 To such students as seek a story only; and are

not interested in the faith; ceremonies; or customs of the Mother of

Religion and Civilisation; ancient Egypt; it is; however; respectfully

suggested that they should exercise the art of skipping; and open this

tale at its Second Book。



That version of the death of Cleopatra has been preferred which

attributes her end to poison。 According to Plutarch its actual manner

is very uncertain; though popular rumour ascribed it to the bite of an

asp。 She seems; however; to have carried out her design under the

advice of that shadowy personage; her physician; Olympus; and it is

more than doubtful if he would have resorted to such a fantastic and

uncertain method of destroying life。



It may be mentioned that so late as the reign of Ptolemy Epiphanes;

pretenders of native blood; one of whom was named Harmachis; are known

to have advanced their claims to the throne of Egypt。 Moreover; there

was a book of prophecy current among the priesthood which declared

that after the nations of the Greeks the God Harsefi would create the

〃chief who is to come。〃 It will therefore be seen that; although it

lacks historical confirmation; the story of the great plot formed to

stamp out the dynasty of the Macedonian Lagidae and place Harmachis on

the throne is not in itself improbable。 Indeed; it is possible that

many such plots were entered into by Egyptian patriots during the long

ages of their country's bondage。 But ancient history tells us little

of the abortive struggles of a fallen race。




The Chant of Isis and the Song of Cleopatra; which appear in these

pages; are done into verse from the writer's prose by Mr。 Andrew Lang;

and the dirge sung by Charmion is translated by the same hand from the

Greek of the Syrian Meleager。











CLEOPATRA







INTRODUCTION



In the recesses of the desolate Libyan mountains that lie behind the

temple and city of Abydus; the supposed burying place of the holy

Osiris; a tomb was recently discovered; among the contents of which

were the papyrus rolls whereupon this history is written。 The tomb

itself is spacious; but otherwise remarkable only for the depth of the

shaft which descends vertically from the rock…hewn cave; that once

served as the mortuary chapel for the friends and relatives of the

departed; to the coffin…chamber beneath。 This shaft is no less than

eighty…nine feet in depth。 The chamber at its foot was found to

contain three coffins only; though it is large enough for many more。

Two of these; which in all probability inclosed the bodies of the High

Priest; Amenemhat; and of his wife; father and mother of Harmachis;

the hero of this history; the shameless Arabs who discovered them

there and then broke up。



The Arabs broke the bodies up。 With unhallowed hands they tore the

holy Amenemhat and the frame of her who had; as it is written; been

filled with the spirit of the Hathorstore them limb from limb;

searching for treasure amidst their bonesperhaps; as is their

custom; selling the very bones for a few piastres to the last ignorant

tourist who came their way; seeking what he might destroy。 For in

Egypt the unhappy; the living find their bread in the tombs of the

great men who were before them。



But as it chanced; some little while afterwards; one who is known to

this writer; and a doctor by profession; passed up the Nile to Abydus;

and became acquainted with the men who had done this thing。 They

revealed to him the secret of the place; telling him that one coffin

yet remained entombed。 It seemed to be the coffin of a poor person;

they said; and therefore; being pressed for time; they had left it

unviolated。 Moved by curiosity to explore the recesses of a tomb as

yet unprofaned by tourists; my friend bribed the Arabs to show it to

him。 What ensued I will give in his own words; exactly as he wrote it

to me:



〃I slept that night near the Temple of Seti; and started before

daybreak on the following morning。 With me were a cross…eyed rascal

named AliAli Baba I named himthe man from whom I got the ring

which I am sending you; and a small but choice assortment of his

fellow thieves。 Within an hour after sunrise we reached the valley

where the tomb is。 It is a desolate place; into which the sun pours

his scorching heat all the long day through; till the huge brown rocks

which are strewn about become so hot that one can scarcely bear to

touch them; and the sand scorches the feet。 It was already too hot to

walk; so we rode on donkeys; some way up the valleywhere a vulture

floating far in the blue overhead was the only other visitortill we

came to an enormous boulder polished by centuries of action of sun and

sand。 Here Ali halted; saying that the tomb was under the stone。

Accordingly; we dismounted; and; leaving the donkeys in charge of a

fellah boy; went up to the rock。 Beneath it was a small hole; barely

large enough for a man to creep through。 Indeed it had been dug by

jackals; for the doorway and some part of the cave were entirely

silted up; and it was by means of this jackal hole that the tomb had

been discovered。 Ali crept in on his hands and knees; and I followed;

to find myself in a place cold after the hot outside air; and; in

contrast with the light; filled with a dazzling darkness。 We lit our

candles; and; the select body of thieves having arrived; I made an

examination。 We were in a cave the size of a large room; and hollowed

by hand; the further part of the cave being almost free from drift…

dust。 On the walls are religious paintings of the usual Ptolemaic

character; and among them one of a majestic old man with a long white

beard; who is seated in a carved chair holding a wand in his hand。'*'

Before him passes a procession of priests bearing sacred images。 In

the right hand corner of the tomb is the shaft of the mummy…pit; a

square…mouthed well cut in the black rock。 We had brought a beam of

thorn…wood; and this was now laid across the pit and a rope made fast

to it。 Then Aliwho; to do him justice; is a courageous thieftook

hold of the rope; and; putting some candles into the breast of his

robe; placed his bare feet against the smooth sides of the well and

began to descent with great rapidity。 Very soon he had vanished into

blackness; and the agitation of the cord alone told us that anything

was going on below。 At last the rope ceased shaking
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