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e organ of taste must be liquefied； and so to start with must be non…liquid but capable of liquefaction without loss of its distinctive nature。 This is confirmed by the fact that the tongue cannot taste either when it is too dry or when it is too moist； in the latter case what occurs is due to a contact with the pre…existent moisture in the tongue itself； when after a foretaste of some strong flavour we try to taste another flavour； it is in this way that sick persons find everything they taste bitter； viz。 because； when they taste； their tongues are overflowing with bitter moisture。 The species of flavour are； as in the case of colour； （a） simple； i。e。 the two contraries； the sweet and the bitter； （b） secondary； viz。 （i） on the side of the sweet； the succulent； （ii） on the side of the bitter； the saline； （iii） between these come the pungent； the harsh； the astringent； and the acid； these pretty well exhaust the varieties of flavour。 It follows that what has the power of tasting is what is potentially of that kind； and that what is tasteable is what has the power of making it actually what it itself already is。
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Whatever can be said of what is tangible； can be said of touch； and vice versa； if touch is not a single sense but a group of senses； there must be several kinds of what is tangible。 It is a problem whether touch is a single sense or a group of senses。 It is also a problem； what is the organ of touch； is it or is it not the flesh （including what in certain animals is homologous with flesh）？ On the second view； flesh is 'the medium' of touch； the real organ being situated farther inward。 The problem arises because the field of each sense is according to the accepted view determined as the range between a single pair of contraries； white and black for sight； acute and grave for hearing； bitter and sweet for taste； but in the field of what is tangible we find several such pairs； hot cold； dry moist； hard soft； &c。 This problem finds a partial solution； when it is recalled that in the case of the other senses more than one pair of contraries are to be met with； e。g。 in sound not only acute and grave but loud and soft； smooth and rough； &c。； there are similar contrasts in the field of colour。 Nevertheless we are unable clearly to detect in the case of touch what the single subject is which underlies the contrasted qualities and corresponds to sound in the case of hearing。 To the question whether the organ of touch lies inward or not （i。e。 whether we need look any farther than the flesh）； no indication in favour of the second answer can be drawn from the fact that if the object comes into contact with the flesh it is at once perceived。 For even under present conditions if the experiment is made of making a web and stretching it tight over the flesh； as soon as this web is touched the sensation is reported in the same manner as before； yet it is clear that the or is gan is not in this membrane。 If the membrane could be grown on to the flesh； the report would travel still quicker。 The flesh plays in touch very much the same part as would be played in the other senses by an air…envelope growing round our body； had we such an envelope attached to us we should have supposed that it was by a single organ that we perceived sounds； colours； and smells； and we should have taken sight； hearing； and smell to be a single sense。 But as it is； because that through which the different movements are transmitted is not naturally attached to our bodies； the difference of the various sense…organs is too plain to miss。 But in the case of touch the obscurity remains。 There must be such a naturally attached 'medium' as flesh； for no living body could be constructed of air or water； it must be something solid。 Consequently it must be composed of earth along with these； which is just what flesh and its analogue in animals which have no true flesh tend to be。 Hence of necessity the medium through which are transmitted the manifoldly contrasted tactual qualities must be a body naturally attached to the organism。 That they are manifold is clear when we consider touching with the tongue； we apprehend at the tongue all tangible qualities as well as flavour。 Suppose all the rest of our flesh was； like the tongue； sensitive to flavour； we should have identified the sense of taste and the sense of touch； what saves us from this identification is the fact that touch and taste are not always found together in the same part of the body。 The following problem might be raised。 Let us assume that every body has depth； i。e。 has three dimensions； and that if two bodies have a third body between them they cannot be in contact with one another； let us remember that what is liquid is a body and must be or contain water； and that if two bodies touch one another under water； their touching surfaces cannot be dry； but must have water between； viz。 the water which wets their bounding surfaces； from all this it follows that in water two bodies cannot be in contact with one another。 The same holds of two bodies in air…air being to bodies in air precisely what water is to bodies in water…but the facts are not so evident to our observation； because we live in air； just as animals that live in water would not notice that the things which touch one another in water have wet surfaces。 The problem； then； is： does the perception of all objects of sense take place in the same way； or does it not； e。g。 taste and touch requiring contact （as they are commonly thought to do）； while all other senses perceive over a distance？ The distinction is unsound； we perceive what is hard or soft； as well as the objects of hearing； sight； and smell； through a 'medium'； only that the latter are perceived over a greater distance than the former； that is why the facts escape our notice。 For we do perceive everything through a medium； but in these cases the fact escapes us。 Yet； to repeat what we said before； if the medium for touch were a membrane separating us from the object without our observing its existence； we should be relatively to it in the same condition as we are now to air or water in which we are immersed； in their case we fancy we can touch objects； nothing coming in between us and them。 But there remains this difference between what can be touched and what can be seen or can sound； in the latter two cases we perceive because the medium produces a certain effect upon us； whereas in the perception of objects of touch we are affected not by but along with the medium； it is as if a man were struck through his shield； where the shock is not first given to the shield and passed on to the man； but the concussion of both is simultaneous。 In general； flesh and the tongue are related to the real organs of touch and taste； as air and water are to those of sight； hearing； and smell。 Hence in neither the one case nor the other can there be any perception of an object if it is placed immediately upon the organ； e。g。 if a white object is placed on the surface of the eye。 This again shows that what has the power of perceiving the tangible is seated inside。 Only so would there be a complete analogy with all the other senses。 In their case if you place the object on the organ it is not perceived； here if you place it on the flesh it is perceived； therefore flesh is not the organ but the medium of touch。 What can be touched are distinctive qualities of body as body； by such differences I mean those which characterize the elements； viz； hot cold； dry moist； of which we have spoken earlier in our treatise on the elements。 The organ for the perception of these is that of touch…that part of the body in which primarily the sense of touch resides。 This is that part which is potentially such as its object is actually： for all sense…perception is a process of being so affected； so that that which makes something such as it itself actually is makes the other such because the other is already potentially such。 That is why when an object of touch is equally hot and cold or hard and soft we cannot perceive； what we perceive must have a degree of the sensible quality lying beyond the neutral point。 This implies that the sense itself is a 'mean' between any two opposite qualities which determine the field of that sense。 It is to this that it owes its power of discerning the objects in that field。 What is 'in the middle' is fitted to discern； relatively to either extreme it can put itself in the place of the other。 As what is to perceive both white and black must； to begin with； be actually neither but potentially either （and so with all the other sense…organs）； so the organ of touch must be neither hot nor cold。 Further； as in a sense sight had for its object both what was visible and what was invisible （and there was a parallel truth about all the other senses discussed）； so touch has for its object both what is tangible and what is intangible。 Here by 'intangible' is meant （a） what like air possesses some quality of tangible things in a very slight degree and （b） what possesses it in an excessive degree； as destructive things do。 We have now given an outline account of each of the several senses。
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The following results applying to